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Drummers Of The Swing Jazz Era

 Gene Krupa - 1938

Rock and roll artists have a tendency to think that they invented the concept of rebellion. That before their genre came along, everything was goody-two-shoes and Miss Manners. What they forget is that the music industry has always been a place of innovation a source of social uproar. Even the waltz, when it was first introduced, was considered an outrage at first because of how close couples had to get to dance to it! Yes, rock and roll artists are just following in the industry ’s grand tradition of scandal, a tradition that at no time has been more prevalent than in the era of swing jazz, or swing music. In its day, swing music was the ultimate revolution, a violent break from the Charleston of the previous decade. Swing music was characterized by a strong rhythmic drive and, and the bands that played it were anchored by equally strong rhythmic sections. Such sections tended to be led by drummers whose personalities were as big as their music, and a number of the jazz drummers of swing remain legends even today.

Sonny Greer (1895-1982) is best known for his work with the legendary Duke Ellington. A native of New Jersey, he eventually became Ellington ’s first drummer in 1919 at the age of 24. Greer was not only a drummer; he also designed the instruments with the Leedy Drum Company. This job enabled him to put together a drum kit worth over $3000, the equivalent of nearly $36,000 today. This gentleman did his part to live up to the image of jazz music as a genre of debauchery. He was a heavy drinker and a pool-hall hustler and unfortunately, these qualities eventually led to a permanent estrangement between him and Ellington. He continued to work as a freelance drummer and briefly led his own band, but Greer ’s association with Ellington marked the pinnacle of his success.

Gene Krupa (1909-1973) was known for his highly energetic and flamboyant style of drumming. He was a member of a number of bands, although the biggest name he ever played with was undoubtedly Benny Goodman. Krupa ’s drumming is featured in the flagship of swing music, Goodman ’s "Sing, Sing, Sing." His association with this song made him an immediate national celebrity. Although he, like Greer, had a falling out with his band leader and left the group as a result, his career did not falter. In spite of the occasional stint in jail due to possession of marijuana, Krupa continued to perform into the early 1970s.

William Henry Webb, aka Chick Webb (c.1905-1939) was a precocious child who saved up enough money from his paper route to purchase a drum set; he first played professionally at the age of 11. In addition to being a drummer, Webb was the long-time leader of his own band, which was the house band at the famous Savoy Ballroom. The Savoy often hosted "Battle of the Bands" contests, in which Webb ’s band was pitted against the likes of the Benny Goodman and Count Basie Orchestras. The biggest name associated with Webb is Ella Fitzgerald, who he began to feature as a vocalist in 1935 when the singer was 18. After Webb ’s early death (due to complications from a childhood bout of tuberculosis), Fitzgerald continued to lead his band for four years before leaving to focus on her solo career.

Bernard "Buddy" Rich (1917-1987) was billed as "the world ’s greatest drummer" and was known for his power, speed, and experimentation with technique. He, like Webb, was drawn to drumming at an early age, and when he was 18 months old, he made his musical debut in vaudeville. He never received any formal drum education, and may have had more raw talent than any other drummer of his generation. During his career, he was associated with a number of famous names, including Tommy Dorsey, Nat King Cole, Ella Fitzgerald and Louis Armstrong.

About the Author

Victor Epand is an expert consultant for guitars, drums, keyboards, sheet music, guitar tab, and home theater audio. You can find the best marketplace at these sites for drums, jazz, swing, sheet music, guitar tabs, and home theater audio.

 

Article Source: Content for Reprint


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Mike Johnston Building the MJ Snare

 

 

Hi,

As a continuation of Mike’s previous discussion of his gear – especially his new signature snare drum from Shine drums – here is Mike at Shine discussing the process of manufacturing the drum.

Further, he demonstrates his personal touch given to each snare drum before being shipped to the customer.
Please check out the video:

If you can see this, then you might need a Flash Player upgrade or you need to install Flash Player if it's missing. Get Flash Player from Adobe.

Remember to check out mikeslesson.com for excellent on-line drum lessons

Take care,

-Joe

 

 

 

 


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Throw it Down - the Movie

Throw it Down DVD Cover

 

Hi,

DCI fans, here are few words from Ed Maher about the new documentary film, Throw it Down:

Go deep inside the intense world of Elite Drum Corps.

This unusual feature length, (88 minutes), documentary from JEM Films is emotional, painful, funny, and soaring in its celebration of the human spirit. You don’t have to be a fan of “The Bluecoats” to catch the excitement. What price will you pay to make your dreams come true…

See It:  At The Connecticut Film Festival

                 Thursday Night, June 4th 2009, 8:30PM
                 Danbury Town Hall  3rd Floor
                 155 Deer Hill Avenue
                 Downtown Danbury, Connecticut

 

If you can see this, then you might need a Flash Player upgrade or you need to install Flash Player if it's missing. Get Flash Player from Adobe.

                   www.throwitdownthemovie.com

 

-Joe


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Mike Johnston’s Gear Explained

 

Mike Johnston, again always modest guy, suggests that drum teachers never have signature drums made for them.

But his surprising neighbor - about an hour from his home - Shine Custom Drums and Percussion, has thought otherwise. I agree with Shine. Mike is an outstanding performer/teacher who deserves as much recognition as some possibly not-so-deserving “Stars”.

Mike personally tunes each of these high quality great sounding snare drums before being shipped to the customer. The quality/price ratio on this unit is incredible!

Check out this video where Mike explains the process of having the drum come into existence as well as other his going over some of his other gear.

 If you can see this, then you might need a Flash Player upgrade or you need to install Flash Player if it's missing. Get Flash Player from Adobe.

 

Remember to visit www.mikeslessons.com for great on-line drum lessons.

 

-Joe


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Mike Johnston’s Latest Free Drum Lesson - “Best Drum Lesson Ever”!

Mike's Logo

 Best Drum Lesson Ever!

Mike’s a pretty humble guy - so you know he will explain what he really means with this hyperbolic title.

Mike cover an interesting basic rock-groove emphasizing the appeal of the cymbal crash on "ah" of beat "1" preceding the back-beat on "2".

He also reveals that he will be associated with a prominent drummer as a drum teacher for his on-line lessons. Keeping checking back on his website, www.mikeslessons.com

 Enjoy!

If you can see this, then you might need a Flash Player upgrade or you need to install Flash Player if it's missing. Get Flash Player from Adobe.


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Mike’s Lesson - ‘3 over 4 Polyrhythm’

mike's lessons

 

This is Black River Music Word’s second installment of Mike Johnston’s free YouTube® on-line drum lessons.

 Here Mike demonstrates evolving a basic 3 over 4 polyrhythm into a intricate and exciting groove.

Please enjoy and remember to visit www.mikeslessons.com for more detailed lessons from Mike Johnston.

Mike also offers actually LIVE drum lessons through his website. Mike is a dedicated and very busy teacher (’cause he’s really good at it!)!

 

If you can see this, then you might need a Flash Player upgrade or you need to install Flash Player if it's missing. Get Flash Player from Adobe.


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Mike’s Lessons - ‘Something New to Practice’

 MikeJohnston

Black River Music Word is very proud to offer the on-line drum lessons from Mike Johnston.

Mike is a long time international clinician as well as the operator of a full-time a drum school, The Drum Lab, in Sacramento California.

Mike has offered free on-line drum lessons as a subscription for some time now. As a subscriber since late 2007, I thought it would be great to offer a convenient way to access these great educational videos.

The first of the series of lessons by Mike Johnston offered by Black River Music Word initially shows Mike’s superior chops; then proceeds to present a unique method of developing a specific type of independence - verbal! Developing this skill leads logically to the important 4-limb independence required for an accomplished set-drummer.

Initially, BRMW will publish a different lesson every week. After then, whenever Mike creates a new one.

Please play and enjoy Mike Johnston’s: ‘Something New to Practice’

  If you can see this, then you might need a Flash Player upgrade or you need to install Flash Player if it's missing. Get Flash Player from Adobe.

 

Mike has more comprehensive and reasonably priced drum lessons on his website, MikesLessons.com I highly recommend signing up with Mike for some great educational packages.

 

-Joe


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Louis Bellson Dies

Louis Bellson

 

This last Saturday, St. Valentine’s Day, one of the world’s greatest all-time drummers died. Louis was in poor health of late after injuries from a debilitating fall. However, the exact details for the reason for his passing, as of the writing, are still not clear.

With Gene, Buddy, Cozy and Max gone, Louis was the last of the pantheon of the set-drumming gods of my youth.

There are hundreds of tributes to Louis Bellson on the web. Here is a wonderful one from Hudson Music.

 

-Joe


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A New Place for Fife and Drum Music Chat!

From Charlie Terzi:

"Since 1998, Fife & Drum Music Chat has been organized as a vehicle to support the fife & drum community. Our goal is to foster information and communication about that community through an interactive chat session that takes place each Sunday at 7:00 PM ET.."

 
You are cordially invited to the resumption of
 
” Fife & Drum Music Chat”
 
On the new site:
 
FifeDrumChat.com

Time:      7:00 PM ET

Day:       Sunday, Yes, Sunday               A  New Day
               
Starting on    January 25, 2009

Where:  FifeDrumChat.com              New Site
 
The site is now open if you want to give it a test drive.

You can also view pictures of the CyberAncients from past musters and see the CA video from DRAM 2008. Let me know what you think.
 
We built this room for you!!! Please join us on Sunday at FifeDrumChat.Com.
 
Notes: The chat room is on a different platform. Some new features have been added and the “look” is different*** When the chats continue on Sunday, the chat room will only be open during the scheduled chat day/time (Sunday -7 PM to whatever). All other times the chat room will be closed and the “maintenance “sign will be present. The site itself will always be open. Additionally, we ask that when you sign in, please use your real name. See directions below.
 
See you live on January 25th !!!
                            
 Need more directions?

To get to the chat room, first go to FifeDrumChat.Com by clicking on the following or pasting it to you browser:

http://www.FifeDrumChat.com

After you get to the site, click on the word  "Chat" on the top of the page.
This will take you to the chat room.  In the field titled “Name” overwrite your name in the field (put your name in the field). You are signed in!!!!
Try it out if you like.
 
See you on January 25 !!!

-Charlie Terzi

 

 


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PASIC 2008 Update and Follow Up

 

PASIC 2008 update and follow up…by Dominick Cuccia
   
    WOW!  To say that was a lot of fun would be an understatement! 

    So as many of you know I did a clinic at PASIC 2008 on Thursday November 6th at 10am.  I was joined by “The Not-So-Traditional Players” featuring Therese Cuccia, Rick Jones, Brendan Mason & Mark Reilly.  What an honor it was for me to share the stage with such great musicians!

    Nick Phillips from Innovative Percussion introduced us and we started off the session with Therese on fife, Rick on bass and me on snare playing Bonaparte Crossing the Rhine featuring drumming by Ed Classey, Jr. and the fife melody arranged by John Ciaglia.  Next I played a snare solo from my book The Beat of a Different Drummer titled The Lonesome Scot & Rocky Road to Dublin.  From there we gave a basic recreation of a jam session featuring Ed Lemley’s Crazy Army (fife played Whup Jamboree) and Harold Green’s Black Watch. As an exclamation point to this opener we tagged the medley with a drum beat I wrote for this session titled The Austin Army ’08.  Finally, as a salute to some of the fife & drum corps who have influenced all of us we played an arrangement from the repertoire of the Civil War Troopers titled Tribute to the Sons, Regimentals, Yanks & Blues. 

    Next I got into the clinic portion of the session talking about “Groove & Interpretation.”  I opened up with a long roll breakdown and then outlined the many differences between the way you would play it in a Northeastern competition and a modern day drum corps contest.  Following a discussion on the interpretation of the 7, 11 & 15 stroke rolls Dennis Delucia joined me on the stage to introduce The Jersey Fulltime, a fun “contemporary ancient” drum solo he wrote.

    The next group of rudiments we talked about were from the drag family.  We focused on the ratamacue and then Mark Reilly took the stage to perform The Next Generation, a solo I had written for him and another former student of mine, Josh Dukes. 

    Another drag rudiment that causes problems for many drummers is the double drag.  I talked about playing it at different tempos and the possibilities of interpreting it as either a 16th note or quintuplet base.  To demonstrate the 16th concept I performed a solo by my friend, the legendary Jack Pratt titled Farmers Museum Muster.  It utilizes the double drag in a standard form, but then inverts the rudiment and creates many variations.  This is truly a clever piece of music!

    The next portion of the session dealt with “not-so-traditional drumming” in both the solo and ensemble settings.  For me, one of the most influential snare drum solos is the Cormier 2/4.  It definitely affected the direction of many drummers to follow and is as enjoyable for me to listen today as it was 25 years ago.  Brendan Mason took to the stage to play it as he is a disciple of the legendary Paul Cormier.

    The final two pieces we played as a drum ensemble came to be about 20 years apart.  Rice Pudding was a solo I wrote when I was a student at Wilkes College.  My teacher, Bob Nowak, asked me to write some rudimental drumming to perform on a percussion ensemble concert.  He kept referring to it as “Dominick’s Rudimental Smorgasbord” and I decided Rice Pudding was as good a dessert as any to finish off a meal…I mean concert!  The influences on the piece were both obvious and subtle.  You can definitely see (& hear) the influence of 1980’s drum & bugle corps.  The ending is definitely influenced by the late-Dan Mullen/Old Guard classic Opus 1.  What might not be as obvious is the influence of legendary percussionist and teacher John Beck.  We had performed some of his music in percussion ensemble including Jazz Variants.  The whole theme and variation idea was extremely appealing to me and the entire first half of the solo is my version of what I learned playing his music.  I should also mention it was awesome having Steve Fidyk and Steve Primatic in the audience as they were both in the original ensemble that performed it and are two of my dearest friends!

    The final piece we did as an ensemble is titled The Drummers Heritage and is dedicated to my friend, Robin Engelmann.  It is a tribute to the historic concert which took place at PASIC 2002 and its artistic director, Robin.  I had the great honor of performing that night with my wife Therese and Nick Attanasio.  It was truly one of the greatest moments I’ve ever experienced.  We performed it with the following instrumentation.  Brendan on a Cooperman rope drum, me on a Yamaha sfz, Therese on an LJ Hutchen snare, Mark on a Swiss drum and Rick on a Cooperman bass drum.  My thought was to have a mini-recreation of the concert finale when everybody performed on their own drums as one large beautiful wall of sound.  As different as all of our drums were, they sounded incredible together!

    To close the session I invited the PAS Allstars to the stage to join us in a salute to the fife & drum musters of New England with a performance of the Downfall of Paris.  As the group was getting setup up it gave me an opportunity to pay tribute to all of the legendary drummers who came before us but never had the chance to take the stage at PASIC.  I was also able to share the names Dan English and Dan Mullen with the audience.  These were two incredible drummers from different eras who died much too young.  There is no doubt in my mind that if they had not left us so soon everybody in that audience would know both names and their legacy would be studied by all of us!

    The PAS Allstars were comprised of the following outstanding drummers…Steve Fidyk, Andrew Porter, Willie Calloghan, Eric Sheffler, Jeff Prosperie, John Wooton, John Brennan, Dave Loyal, Garry Kvistad, Lalo Davila, Ken Green, Robin Engelmann, Jeff Moore, Tony McCutchen, Dave Smith, John Roche and Matt Reilly.

    I’d like to thank my sponsors for all of their support.  They are all great companies and I’m proud to be associated with them!
Cooperman Company
Innovative Percussion
LJ Hutchen
Meredith Music Publications
Yamaha

    AND…The Percussive Arts Society, Jeff Hartsough, the Marching Percussion Committee and Neal Flum!
   
    Of course I need to thank Therese, Rick, Brendan & Mark.  There is no way I can express how grateful I am to them for their dedication, commitment and sacrifice for this project!

Below are links to the the hand outs for this session:

Hand Out Cover Page

Warmups

Austin Army ‘08

 Please email me with your thoughts, question or comments at dominick@dreadeddrummer.com

    Thanks to everybody for your support and I’ll look forward to seeing y’all at a muster, parade, day of percussion or contest real soon!

DC

In the spirit,
Dominick Cuccia

   
 


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